For his part, Woodall has led the casting of Phantom for the past seven years. Since then, she’s passed the mantle of being the lead casting director on Phantom to several people in her office. And Woodall’s boss, casting director Tara Rubin, has worked on it from its beginnings.
This winter, Phantom celebrates its 30th anniversary on Broadway, holding well onto its title of the longest-running show on the Main Stem. “I follow a great line of folks here in Tara Rubin Casting, in our office, of working on the show.” “It is a joy to be able to work on such a loved piece, and a timeless piece as Phantom of the Opera,” he says. These days, Woodall doesn’t act much, but the mask still looms large in his life as he is now in charge of casting the Broadway production. “I was in awe of its spectacle and its beauty,” he recalls, after seeing the show in New York in the early ’90s. When Eric Woodall was a college student, training to be an actor at Carnegie Mellon University, he hung ceramic half-masks in his dorm room: an homage to The Phantom of the Opera.
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